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My Yin Yang Gift to Stony Brook
by alumna Kim Hardiman

Alumna artist Kim Hardiman with the plaque from the SB Alumni Association at the
dedication of the Zebra Path as an SBU tradition for SBU's 40th Anniversary in 2001.


I grew up as an Asian American woman in New York. I had to balance two opposite cultures in my life. I was born in Hong Kong, but my biological parents abandoned me and I lived in an orphanage. Subsequently, I was adopted by an American family in Uniondale, Long Island. I used my personal life experiences in my art work when I studied art at Stony Brook for my undergraduate degree (‘81) and Hunter College in New York City for my MFA (Master of Fine Arts ’85).

My original design for the public art walkway, now known as the Zebra Path, was a simple concept of yin and yang. The object of my original theme was not to paint the school colors for the walkway since at that time, red and gray would have been extremely depressing colors. The concept of yin and yang is to show how opposite things in nature can coexist in harmony and balance. Black and white colors are a universal concept of yin and yang.

The simple basic colors of black and white are more vibrant than red and white. They are clean and simple. We don’t need to add colors to feel the energy. In fact, I think that black and white photographs have a unique quality that photographs with colors don’t have.

Since the walkway was a very long, narrow shape, I had to fit my idea of yin and yang by using straight lines and repetition. Since the walkway is also on an incline, the illusion of the straight lines changes shapes as one walks up or down the path. In fact, the far end of the walkway almost looks like a pattern of small squares or a chess board. Later touch-ups have rounded the edges of my original design and I hope the restoration of colors also restores the sharp angles.

The Public Art course that I took at Stony Brook with Prof. Mel Pekarsky in 1981 that led to the creation of the Zebra Path was the most exciting, challenging, and rewarding class that I have ever taken. I never knew that my art work would affect so many people who have attended Stony Brook. While I wish the budget cuts at Stony Brook were not so devastating, it is wonderful to know that to help save the department, Prof. Pekarsky was lured out of retirement to teach again.

In addition, the metamorphosis of my public art piece demonstrates that the art work is still alive today; it is a daily process that becomes part of each person’s experience as they walk along the path. I am sure that everyone has a different experience even though they may not be so conscious of it. Artists, photographers, actors, and dancers would probably have a more visual experience since they understand abstract concepts.

My master’s thesis and fine art work continued to reflect the concept of yin and yang. I currently teach ESL at Embry-Riddle Aeronautical University in Florida. During my reading and writing class, I put up both aerial photographs of the walkway, one in red and white, the other in black and white, without letting my students know I had anything to do with the path. We had an interesting discussion about the meaning of the colors. Most of my students are studying to become pilots and technical engineers, so their observations are very analytical. I was surprised when they understood my concept of yin and yang. Some of my students thought that the red and white colors represented a Christmas theme since it looked like a candy cane lane. They thought it would be inappropriate to keep those colors all year long.

I also want to mention that my public art walkway is a unique piece of art work created by an alumna of Stony Brook University. Most outdoor public art works are large sculptures that are bought or commissioned by professional artists. I am very proud to have left my artistic legacy as an alumna at Stony Brook. I hope everyone will keep it alive for years to come.

I really appreciate Rian Shah and the members of the  Student Government for all their efforts to have my public art project restored and repainted to its original colors.

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Editor's Note: For the 50th Anniversary of SBU, the path was painted in the school colors of red and white. It was greeted with disdain by most students. They chose the same derogatory nickname for it that Kim's students in Florida chose - Candy Cane Lane. Facebook groups arose to get it changed back, including one by student Rian Shah. He then asked USG Senator Craig McCarthy bring up a resolution to have the path restored to its original colors. USG passed the resolution unanimously. Shah then kept calling University Facilities until he was finally told that the path will be repainted in its original colors. Logically, that will be done when the weather is warmer and at a time when there are few students on campus using it. Hopefully you will come back from spring break to see it done!

For its 30th anniversary in 2011, Kim Hardiman plans to return to SB to once again perform the Chinese ribbon dance on the Zebra Path in celebration.

Previous articles on Kim and the path can be found at
http://www.aaezine.org/articles/vol23/23N3ZebraPath.shtml
and  http://www.aaezine.org/articles/vol23/23N3KimHardiman.shtml

and http://www.aaezine.org/articles/vol23/ZebraPathSBPress030510.pdf
 

Statesman article from 1981 shows the sharp angles, many of which have lost their edge after years of touch-ups. Click on photo to enlarge.

  

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